No.In
Between
Studies / Ongoing |
Custom commissions
view more
At a Crowroads
From a series in progress
Graphite on paper, 29.7×42 cm
Reproduction:
Screen printing on paper, 29.7×42 cm, col./b&w
Atmosphere:
(Inspired by)
Art(-tist):
>Mikalojus Konstantinas Čiurlionis: Mano kelias (My Road). Painting III from triptych, 1907;
>Franklin Booth
Soundtrack:
Rotting Christ. “The Raven”. The Heretics. Season of Mist. 2019.
Literature:
“-What’s the world’s greatest lie?” the boy asked, completely surprised.
“-It’s this: that at a certain point in our lives, we lose control of what’s happening to us, and our lives become controlled by fate. That’s the world’s greatest lie.”9
Photography:
Lago dei quattro cantoni (Lake Lucerne), Switzerland
°§°
view more
Solar
Custom commission:
Interior wall art
Coloured pencil & oil pastel on paper, 50×70 cm
Reproduction:
Digital printing on photographic paper 29.7×42 cm
Atmosphere:
(Inspired by)
Art(-tist):
Rimvidas Jankauskas (pseudonym Kampas): Geltona Saulė, 1992-1993
Soundtrack:
Tool. “7empest”. Fear Inoculum. Tool Dissectional, RCA, 2019
Photography:
Where all the sunsets go, the Baltic Sea, Lithuania
°§°
view more
Homage à Giger
From personal studies series
Graphite on paper, 21×29.7 cm
Atmosphere:
(Inspired by)
Art(-tist):
>HR Giger: Homage à Böcklin, 1977;
>HR Giger: Necronom III (2nd state), 1976;
>HR Giger: Li I, 1974;
>Mikalojus Konstantinas Čiurlionis: Ramybė (Serenity), 1903/1904
Soundtrack:
Megadeth. “Countdown To Extinction”. Countdown To Extinction. Capitol Records, 1992
Literature:
„Mėgstu tylą, bet šiandien negaliu jos pakęsti. Atrodytų lyg kas sėlintų. Baisu. Atėjo man į galvą mintis, kad toje tyloje glūdi svarbi paslaptis. Tarpais atrodo, kad toji tyli ir tamsi naktis tai kažkokia milžiniška baidyklė. Išsikėtojo ir lėtai lėtai atalsuoja. Plačiai atvertos sustingusios didžiulės akys, o jose abejingumo gelmė ir kažkokia svarbi paslaptis.”10
Photography:
San Salvatore, Ticino, Switzerland
°§°
view more
The different faces of mrs. Mare Night
(From personal studies series)
(from left to right)
>Colored pencil & oil pastel on paper, 50×70 cm;
>Watercolor on paper, 21×29.7 cm;
>Mixed technique: graphite & collage, 29.7×42 cm;
Atmosphere:
(Inspired by)
Art(-tist):
>Léon Davent, Envy, from “The Seven Deadly Sins”, ca. 1550-55;
>Johann Heinrich Füssli, The Nightmare, 1781
Soundtrack:
Iron Maden: “Dream of Mirrors”. Brave New World. EMI, 2000
Literature:
“Her face is pale, her body long and lean,
her shifting eyes glance to the left and right,
her snaggle teeth are covered with black rust,
her hanging paps overflow with bitter gall,
her slavered tongue drips venom to the ground;
busy in schemes and watchful in dark snares
sweet sleep is banished from her blood-shot eyes;
her smiles are only seen when others weep;
with sorrow she observes the fortunate,
and pines away as she beholds their joy;
her own existence is her punishment,
and while tormenting she torments herself.”15
Photography:
Graphite on paper, fragment;
°§°
view more
Mulini a Vento
Custom commission:
Wine label illustration
Graphite on paper, 11.5×21 cm
Commissioned by:
Adrien Stevens Viticoltore Indipendente
Salute!
Alla Vita!
Atmosphere:
(Inspired by)
Soundtrack:
The Ben Miller Band. “The Outsider”. Any Way, Shape Or Form. New West Records, 2015
Literature:
“-The world is a dream, you say, and it’s lovely, sometimes. Sunset. Clouds. Sky.”
“-No. The image is a dream. The beauty is real. Can you see the difference?”11
Photography:
Sea-shore, Lithuania. Where the winds play with dreams
